Dictionary of visual discourse : a dialectical lexicon of terms

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Dictionary of Visual Discourse

He was awarded the Nobel Prize for Literature in and was a hugely influential figure in twentieth-century drama. Anxiety: Topic Page Anticipatory tension or vague dread persisting in the absence of a specific threat.

In contrast to fear, which is a realistic reaction to actual danger, anxiety is generally related to an unconscious threat. As the most general property of all reality this is often considered to be the defining subject of metaphysical enquiry. Consciousness: Topic Page The state of being aware of oneself and one's surroundings, without hindrance from sleep, illness, drugs, or hypnotism. This awareness is not purely of external events or phenomena, but also of one's own feelings, beliefs, and mental events.

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Facticity From The Edinburgh International Encyclopaedia of Psychoanalysis A term utilised by Heidegger to characterise the matter-of-fact, concretely individual aspect of human life as it is experientially lived. Lebenswelt From Dictionary of Visual Discourse: A Dialectical Lexicon of Terms The prescientific life-world, or the concrete world of everyday life prior to all theorizing, science and philosophy.

Nothingness From The Encyclopedia of Postmodernism Nothingness is a term denoting the absence of essence or inherent existence in things. Every world philosophy eventually deals with the subject of nothingness. The Absurd From A Dictionary of Philosophy, Macmillan That which has no meaning, reason, or purpose despite a human need or prima facie appearance to the contrary. Related Schools of Thought Humanism From The Columbia Encyclopedia Philosophical and literary movement in which man and his capabilities are the central concern.


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Its influence extended throughout Europe and was particularly important to the early development of existentialism. Postmodernism: Topic Page Term used to designate a multitude of trends—in the arts, philosophy, religion, technology, and many other areas—that come after and deviate from the many 20th-cent. It provides the basis for understanding the foundations and motivations of current theoretical and academic discourse, as well as the different forms of visual culture that have come to organize everyday life.

The book is firmly placed in the context of the 'visual turn' in contemporary thought.

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Dictionary of Visual Discourse - Arts and culture

It has been designed as an interdisciplinary or transdisciplinary introduction to the vocabularies and grammars of visuality that inform thinking in the arts and humanities today. It also offers insight into the philosophical frameworks which underpin the field of visual culture.

A central theme that runs throughout the entries is the task of moving away from a narrow understanding of visuality inherited from traditional philosophy toward a richer cultural and multi-sensorial philosophy of concrete experience. The dictionary incorporates intertextual links that encourage readers to explore connections between major themes, theories and key figures in the field.

In addition the author's introduction provides a comprehensive and critical introduction which documents the significance of the visual turn in contemporary theory and culture. It is accompanied by an extensive bibliography and further reading list. As both a substantive academic contribution to this growing field and a useful reference tool, this book offers a theoretical introduction to the many languages of visual discourse.

It will be essential reading for graduate students and scholars in visual studies, the sociology of visual culture, cultural and media studies, philosophy, art history and theory, design, film and communication studies.

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